exhibitions_performances.bib

@misc{IllingMalsburg2014,
  author = {Illing, Christoph and von der Malsburg, Titus},
  title = {Brain Decompositions},
  howpublished = {Sound Dome of the Centre for Art and Media (ZKM), Karlsruhe, Germany. 13 Dec. 2014},
  day = {13},
  month = {Dec},
  year = {2014},
  url = {http://zkm.de/en/event/2014/12/produced-at-ima},
  note = {Performance},
}
@misc{IllingMalsburg2015,
  author = {Illing, Christoph and von der Malsburg, Titus},
  title = {Brain Decomposition},
  howpublished = {Einraumhaus C/O, Mannheim, Germany. 17--26 Apr. 2015},
  day = {17},
  month = {Apr},
  year = {2015},
  url = {http://www.einraumhaus.com/},
  note = {Sound installation},
}
@misc{MalsburgIlling2014,
  author = {von der Malsburg, Titus and Christoph Illing},
  title = {{Dem Gehirn zuhören}},
  howpublished = {Wissenschaftsetage im Bildungsforum},
  year = {2014},
  note = {Sound installation part of an exhibition about science in the state of Brandenburg},
}
@inproceedings{MalsburgIlling2013xCoAx,
  author = {von der Malsburg, Titus and Illing, Christoph},
  sortname = {Malsburg},
  title = {Decomposing electric brain potentials for audification on a matrix of speakers},
  pdf = {MalsburgIlling2013xCoAx.pdf},
  year = {2013},
  month = {June},
  pages = {305-307},
  address = {Bergamo, Italy},
  booktitle = {{Proceedings of the first conference on Computation, Communication, Aesthetics and X}},
  editor = {Mario Verdicchio and Miguel Carvalhais},
  publisher = {The xCoAx 2013 organizing committee},
  note = {Sound installation.},
}
@inproceedings{SchurerMalsburg2017xCoAx,
  author = {Schurer, Bernd and von der Malsburg, Titus},
  title = {Automatic Reading (Obfuscation)},
  pdf = {SchurerMalsburg2017xCoAx.pdf},
  year = {2017},
  month = jul,
  address = {Lisbon, Portugal},
  booktitle = {{Proceedings of the fifth conference on Computation, Communication, Aesthetics and X}},
  editor = {Luísa Ribas and Rogério Taveira},
  publisher = {The xCoAx 2017 organizing committee},
  note = {Eye-tracking and sound installation.},
  abstract = {During reading, we rapidly construct meaning from sequences of rather cryptic symbols. A multitude of processes are involved in making meaning happen, however, most of them are conveniently tucked away from the reader’s conscious experience allowing them to read effortlessly without having to worry about any of the practicalities such as where to place the gaze next and for how long. The present work reflects on the marvelous feat that is reading. In an experiment-like situation, we create a perceptual short-circuit that unlocks the otherwise unconcsious processes involved in reading. To this end, the test subject is exposed to a written libretto while a computer tracks their eye movements and translates them to sound in real time. The artistic implementation is based on parametric synthesis (“mapping”) and model-based sonification.}
}

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